So, you’re writing a musical. Congratulations! Now you just need three things: a story, songs, and songs that tell the story. Sound intimidating? Worry not: We’ve got tips, tricks, and a full ...

Theater Resources Unlimited will present the third part in its How to Write a Musical That Works workshop series. This workshop is dedicated to fostering a conversation about musical theater structure ...

EGOT-winning composer Alan Menken and Tony-nominated lyricist Glenn Slater continue their musical partnership with Netflix's animated gem "Spellbound." Ahead, they walk IndieWire through the magical ...

If you’re an avid podcast fan, you’ll notice that there are (broadly speaking) two types of shows: non-narrative and narrative. Non-narrative podcasts are more freewheeling, constructed around ...

Scripting isn't always the best way to create a video, but if you're working as a full-time content creator, it can keep you on topic, on track, and make your videos flow that much better. VivziePop, ...

Performances in N.Y.C. Advertisement Supported by Critic’s notebook What is the purpose of a poem, an illustration or a nonsensical phrase in a score? If it makes musicians stop and think, that’s a ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Born and raised on the West Island of Montreal, Trevor Barrette is a queer ...

Scott Z. Burns tried to use AI to write a “Contagion” sequel as shared in the illuminating new podcast “What Could Go Wrong?” In Hollywood, there seem to be two camps when it comes to AI. Some preach ...

Strong, behind shows such as 'Empire' and 'Dopesick,' speaks about taking on the famously complicated musical, and hopefully bringing clarity to the Cold War story as it comes to Broadway again. By ...